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2000's

The 2000's saw Slingsby expanding the scale and ambition of his work. Unrestricted in medium or form, he created monumental black-smith forged sculptures, bronzes and complex mixed-media installations incorporating found objects from the Richtersveld, video and lighting. His creative language grew bolder and more immersive, with socio-political and environmental themes taking centre stage.

Robert Slingsby "Common Ground" 2000

2000

Common ground

Acrylic on canvas

"This landscape painting of a Himba Village, depicts the characteristic mud huts, storage structures and ethnographic objects. It is a beautiful example of how my fieldwork recording the impact of modernisation & Anthropocene man on traditional communities and their environment, influences my art. I’ve been recording traditional communities throughout my 50 year art career, where repeat visits allow a unique perspective. Land rights, women’s rights, mining & dams impacting ancestral land, otherness despite being indigenous, modern day slavery, neo-colonialism, monetisation & the threat of cultural obsolescence are all issues I’ve dealt with in evolving series of art."

Robert Slingsby Double edge

2004

Double edge

Acrylic on canvas and mini installation of found objects and aluminium
122 x 197 cm

Robert Slingsby 'Behind bars' Bronze 2005

2005

Behind bars

Bronze 1/1

93 x 40 x 1948cm

"Over the 30 years spent recording Richtersveld petroglyphs, I observed the indigenous Nama’s’ diminishing access to ancestral land through vast, ever-expanding, open cast diamond mines and agriculture, along the banks of the Orange River. I watched a community evolve from living a ‘free to roam where the goats graze’ lifestyle in traditional ‘matjies skerms’, to tin shacks in restricted zones following forced removals and their creative legacy on the rocks buried by bulldozers."

Robert Slingsby 'Holiday Inn' 2005

2005

Holiday Inn

Installation with found objects from Rooiwal, Kotzeshoop and Vioolsdrif, Namaqualand
270 x 170 x 160 cm

Robert Slingsby 'Out in the noon day sun' 2006

2006

Out in the noonday sun

Wood & acrylic paint installation with found objects
120 x 58 x 7 cm

Robert Slingsby 'Shake, rattle & roll' 2006

2006

Shake, rattle & roll

Wood & acrylic paint installation with found objects
114 x 75 x 10 cm

Robert Slingsby Midas touch - Offcicial FIFA 2010 Soccer

2009

Midas touch

Official FIFA 2010 Soccer World Cup Poster

Acrylic on canvas & gold leaf

70 x 100 cm

Robert Slingsby "In ten minutes" 2009

2009

In ten minutes

Acrylic on canvas

Robert Slingsby "Butter side up" 2009

2009

Butter side up

Acrylic on canvas

Robert Slingsby "Car-bon(e)" 2010

2009 - 2010

Car-bon(e)

Forged mild steel & stainless steel Size

99 x 205 x 400 cm

‘Car-bon(e)’ was exhibited at Irma Stern Museum, as part of a solo exhibition ‘CC - Unlimited power’ dealing with humanities conspicuous over- consumption & disregard for the environment. ‘Car-bon(e)’ is a statement on greenhouse gases and a need for considering alternative ‘green’ energy, such as wind.

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